That day during makeup Beer Guy is getting all done up for his scene where he eventually gets his eyeball plucked out. John gives him a bit of direction for it. They go to shoot it, and the first time it happens, he gets poked in the eye which defuses the scene with laughter. They go for it again, pulling out the fake eyeball slowly while Beer Guy reacts by shaking. Then, they go to shoot after the eyeball gets plucked out when the blood begins shooting out and sprays one of the girls. "She demonstrated this really neat scream," John says, "It was great." They shoot the scene, but she thought there was more blood than she thought, and she froze. "She just kept taking it in the face," Gary, the monster maker, jokes. "Obviously, there was a little miscommunication there," John laughs.
The actress gets really angry, and she heads off to her trailer, because she thinks John set her up with the blood. "So, we're not going to do it again?" Jenny asks. "Well, I want to do it the right way." She's very upset about it. "I wasn't even acting." John explains the scene. "It's just so unrealistic." John says he wanted to use that one, and he called the set to see if they had moved on, knowing they probably did. He sighs, apologizes, and says he might want to recreate the scream elsewhere to put in later.
They move on to the next scene in the bar when a character drops a glass. Stephen was hit in the head with a peanut by Jim, and some of them keep throwing them around the scene. Harri flipped out about it when she was hit with a peanut. "Stop throwing peanuts at me!" she had yelled. "Nobody was [trying to throw peanuts at her]," Stephen noted.
The prop master didn't know they needed a glass, then, when they had a glass that didn't match. "I'll just make a note," Harri says, "That it wasn't right." Stephen chastises her, because apparently she wasn't aware of what was going on, with the continuity. "You should've known it was a different glass." She brings up the peanut throwing as a way to get back at him during the argument. Stephen then ignores her when they're getting ready to shoot the next scene, and he asks, "Are you sure of this?"
Mike confronts John about Harri. "The dynamic's not working, and I think Harri will be the first one to tell you it's not been working the last ten days," Mike explains. "We just felt we'd like to try somebody different." John talks about feeling upset by being told this. "I just wanted to let you know." He thinks finding a new Script Supervisor would be better than changing other aspects of the crew.
Harris is brought outside by Mike, and he fires her. "It's just a personality dynamic that isn't working," he tells her. "There's nobody. Damned if I do, damned if I don't," she says, "I feel set-up. I keep thinking what could I have done differently." Mike relates that firing someone is a hard thing to do. She blames Stephen for her being fired, and she feels he probably was the one that nudged for her to be fired, even though that wasn't the case at all.
She goes to talk to John after talking to Mike. "I really felt I needed to talk to John." John and her hold hands, and she's on his side, which is typical. "I wish we would've talked it out first," he says, "The whole level of consultation with me just doesn't go on." Harri patronizes him, telling him everything should be his way, even though it can't be his way. "There's always this side of me that none of this would ever come up," John says, "So I just wouldn't have to deal with. I think I wish I would've never gotten anyone else involved." They say goodbye and part ways for the evening.
